Probably not to make his last stand. A small bird flies ahead of him, interacting with him cautiously. The wood pile and the speaker enter in some sort of communion. Whereas the transcendentalists of the nineteenth century had regarded nature as profound, the speaker here specifically denies the possibility of the tree speaking wisdom.
In this symbolic reenactment, the speaker believes into existence an entity which was potentially there in the emerging but partial lines of the earlier stages of his journey inward.
Being free to "see" means indulging in such harmless playful fantasies the freedom of whose play is a measure of its solitary creation, far from any human or social situation. The bird is clearly what the speaker has come so far to know best, and he comes to know it by way of what he has previously come to know about himself.
The wood was gray and the bark warping off it And the pile somewhat sunken. Some lines are blank verse, as Essay on the woodpile by robert frost And the reader looks up from the text, wonders if he has missed something, perhaps goes back and reads it again to see if he can catch some meaning which has eluded him.
Its creator moves on with little concern for how others perceive what he has done or for the future of what he has made. He would agree with William James, I think, that "All homes are in finite experience" and that "finite experience as such is homeless.
He decides to save the first, perhaps more traveled route for another day but then confesses that he does not think it probable that he will return, implying that this seemingly casual and inconsequential choice is really likely to be crucial—one of the choices of life that involve commitment or lead to the necessity of other choices that will divert the traveler forever from the original stopping place.
And not another like it could I see. Process and fact, energy and form, coalesce and become one in a single continuous act of perception, and in that act the courage and fear have themselves been transformed into love and meditative forgetfulness.
In "The Wood-Pile" Frost clearly takes himself neither simply as an amusement nor as a wonder but as both. Is the narrator foolish to try to think what the bird thought, or is the bird foolish for thinking that the narrator is after his tail feather?
In a Frost poem, however, to see is always to know that there is a point at which the thing to be seen resists and defies penetrability, a point of its being beyond which it is alas unknowable.
And consolations there are indeed, in the lovely wholeness, the solid three-dimensionality of the woodpile.
Part of maturity is coming to understand and articulate the profundity of early experience. The wood-pile cannot therefore prompt the gregarious aphorisms which bring "The Tuft of Flowers" to a close: Seeing the woodpile in all its magnificence, the speaker sees also that its heat warms "only as best it could.
From the perspective of adulthood, he envies his childhood capacity for launching out anew, making a new beginning on a new tree.
The condition that allows him this intimacy, however, is his physical separation from the bird, marked by the one tree standing between subject and object. Its repeated call in a trochaic, or falling, rhythm does not have the upward lilt that humans generally consider cheerful or merry.
In its four-by-four-by-eightness there is a marvelous solidity as well as form, a substantiality that makes it not only palpable but, at least initially, permanent. He crosses the usual iambic rising rhythm with trochaic words, those with first-syllable accents.
Such anxious and innocuous precision about the relative hardness of the snow or the size and contour of the trees is humanly and characterologically right. If so, will he restrain her by force as he threatens, or will he resign himself to the status quo, as he has before?
A carefully cut "cord," perhaps a play on chord, of the hardwood maple, it seems a religious sacrifice or a work of art, at least purposefully ornamented and finished by the clematis.
The speaker would be as indifferent as the bird, as indifferent as the woodchopper, and indifferent to the woodpile itself as its purpose and design collapse into the swampy chaos of biological interpenetration and transformation. He thought that I was after him for a feather -- The white one in his tail; like one who takes Everything said as personal to himself.
These are the times that tend to isolate people, to throw them on their own resources, to encourage reflection. A Literary Life Reconsidered. Frost composed this poem in four five-line stanzas with only two end rhymes in each stanza abaab. On another level of its structure, beneath the relaxed surface of the language, the poem progresses by way of a series, almost a system, of oppositions, ambiguities, and contrarieties that might be called Hawthornian.
None of these features was new in poetry, but in combination they result in strikingly innovative poetry. He went behind it to make his laststand.
Unlike poems such as "Home Burial" and "A Servant to Servants," which are inclined toward the tragic or the pathetic, nothing "terrible" happens in the personal narratives, nor does some ominous secret lie behind them. It is essentially primordial, totally unformed.In the poem ‘The Wood – Pile’ Robert Frost uses a very tight structure, it is a sum of one stanza which he has used in other poems such as “Out Out -”.
This essay on Robert Frost by a noted English editor and critic accompanied the Essay on the woodpile by robert frost; About US. SCC Dekwaneh is the place for PS4, PS3,XBOX ONE AND XBOX GAMES.
IT solutions & accessories,including Music, movies & games etc. Facebook. SCC Dekwaneh. Robert Frost One can only marvel at the grandeur of nature and its influence upon every aspect of the universe.
The irony is that nature wears many different masks, for at times nature is kind, gentle, and giving; while, in an instant. "The Wood-Pile" is thoroughly typical of many of Frost's mature nature poems.
At once narrative and dramatic, the poem seems astonishingly clear even on first encounter. Analysis of ”The Wood Pile” by Robert Frost Essay Sample Robert Frost’s poem, “The Wood-Pile”, focuses on a man who adventures himself in a frozen swamp.
Away from home, he fears the environment surrounding him. The Woodpile by Robert Frost This Book/Movie Report The Woodpile by Robert Frost and other 64,+ term papers, college essay examples and free essays are available now on killarney10mile.com Autor: Jeni20 • November 24, • Book/Movie Report • Words (3 Pages) • 3, Views4/4(1).Download